Serato Scratch Live Usb Controller
Jan 11, 2011 MIDI controllers with Scratch Live are usually used for cue points / loops / library scroll etc - rather than platter / deck control etc. You may be interested in ITCH which uses all-in-one native controllers rather than two CDJs/turntables and a mixer. Amazon.com: scratch live serato. Skip to main content. Try Prime EN Hello, Sign in Account & Lists Sign in Account & Lists Orders Try Prime Cart.
Designed by Numark in collaboration with Serato, NS7 represents the pinnacle of DJ performance control. NS7 combines an all-metal chassis with adjustable torque, motorized, aluminum-turntable platters, vinyl, and a professional audio interface to deliver a complete performance solution that will satisfy even the most hardcore turntablist.
A full complement of premium faders, knobs, buttons and our new Strip Search (patent pending) virtual-needle-drop control integrates seamlessly with the included Serato ITCH software. NS7 delivers hands-on control of every aspect of Serato ITCH and sends data to the software more than ten times faster than standard MIDI resolution, resulting in a rock-solid hardware/software DJ system that works with Mac or PC and feels as good as it looks.
Serato ITCH is completely compatible with Serato Scratch LIVE crates, loops, and cue points, so the Scratch Live DJ can step up to NS7 without missing a beat.
Serato Scratch Live Usb Controller Download
NS7 was a collaborative development effort with Serato to develop the finest computer-DJ experience. It is a one-to-one hands-on control instrument for Serato ITCH.
Because it was designed for ITCH, NS7 setup time is the bare minimum. No tweaking, no mapping; just plug and perform.
Forget your experiences with other controllers. NS7 has two seven-inch, motorized, high-torque aluminum turntable platters. The turntable controls feature modern and classic settings that alter the feel to model the feel you prefer. Seven-inch, legit vinyl records with 45RPM adapters sit on real slipmats. There’s no simulation here – NS7 is the real deal.
Solid, rugged, rubberized buttons and knobs compliment a high precision, replaceable CP-PRO crossfader and D-TYPE line faders for an unquestionably high-quality feel. We selected the CP-PRO digital-VCA crossfader because it is outstandingly durable with low wear for a long life. It has a solid feel that is smooth and rigid. It’s only natural that our finest crossfader is a component of our finest controller. We selected high-performance, D-Type digital-VCA line faders for their rugged, long-life performance. Like the crossfader, the line faders are replaceable. The crossfader offers contour adjust and reverse adjustment, enabling you to customize its operation.
Forget the mouse. Forget the keyboard. NS7 renders ITCH software perfectly simple to operate, with its click knob and large, backlit buttons navigating though your music library. You’ll spend less time looking at the screen and more time enjoying performing thanks to the visual feedback you get from NS7’s more-than 100 LEDs and more-than 100 hands-on controls.
A single USB cable between NS7 and your Mac or PC is all you need to send audio and data back and forth. NS7 has onboard audio outputs so it’s the only piece of gear you need to connect to the PA system or powered speakers.
NS7 outputs 24-bit, 44.1 kHz digital audio to the sound system on XLRs and RCAs. The front panel contains mic input, RCA line input, and both 1/4” and 1/8” headphone outputs with volume control.
Omnisphere playing out of 2 instead of 1. Omnisphere is an award-winning, flagship synthesizer of Spectrasonics – a leading developer of world class software virtual instruments based out of Los Angeles, California. We look at the two iterations of the world’s best software synth – Omnisphere 1 and Omnisphere 2 – and try to understand the differences between the two. Omnisphere 1.
NS7 comes with an integrated laptop stand that supplies safe, secure mounting for your laptop. You can use an ultra-small space because NS7 elevates your laptop off the table.
NS7 sends control information over USB at more than ten times the standard MIDI rate. This innovative communication technique yields extremely high-precision, low-latency control.
There’s nothing like dropping the needle on a record for quickly locating a point in the track. We took that idea and developed our own modern take on it with Strip Search, the unique virtual-needle-drop touch strip. You can locate a point instantly within the track using the on-screen waveform and Strip Search.
Five hot-cue-assign buttons on each deck digitally mark your cues on the track. These marker points are recallable in ITCH and Scratch LIVE, and you can load Scratch LIVE cue points in ITCH.
We developed an extensive Serato-style loop section on each deck for creative remix capabilities. You can choose between manual and auto-loop functions and an automatic BPM analyzer further assists loop makers. Creating automatic smart loops of any measure length is a breeze, and you can mutilate and modify to heart’s content with a variety of controls such as Doubling, Halving, Shift, and manual controls. Multiple loop banks per deck make NS7 a great choice for scratch and club DJs alike.
Beat matching is straight ahead with 100mm, smooth, stiff pitch sliders and plus and minus buttons, by popular request, for bending. There’s a zero-point LED, so it’s easy to know when you’re in the middle.
We took extraordinary care in selecting the components of the audio signal chain. NS7 contains a host of professional audio connectors and a multichannel, 24-bit USB digital-audio interface.
The high-definition post-mix analog audio output features a minimized circuit path with containing only one audiophile-grade bipolar capacitor. This optimized design maximizes phase coherence, ensuring that audio is tight and punchy.
NS7’s dual decks flank the mixer section. Its recognizable, professional appearance is supported by clean design in matte and glossy black. The entire unit is housed in a heavy-gauge, industrial-strength metal casing that is ready for the torture of travel.
Serato ITCH is already familiar if you use Scratch LIVE. The new program builds on Scratch LIVE’s popularity and adds some key, new features. ITCH doesn’t require a timecode interface, so the system can be as simple as, say, NS7 and your computer! Since ITCH makes timecode a thing of the past, you won’t need to worry about needles skipping or vinyl wearing out. You can load your Scratch LIVE crates, loops, presets, and cue points seamlessly in ITCH. NS7 also works with most other MIDI DJ software and supports iTunes.
ITCH is a high-performance portable music system with internal mixing and platter-style playback control. Because it is designed specifically for use with hardware control, ITCH has a clean information display.
ITCH handles audio processing and mixing including channel fading, EQ, crossfading and track trim are processed for outstanding control and management of your tracks, ease of recording your set, clip-proof gain management, and BPM calculation using the power of your computer’s processor.
Serato’s unique color waveforms provide an easy identification of sound and changes in the track. ITCH can set and store cue-points. It offers three-range pitch control: ±8%, ±16%, and ±50% with Key Lock for manipulation of pitch and tempo independently.
ITCH has library management tools for backup and restoring your music. Advanced input and mix recording capabilities include recording your mix or just the aux input for sampling. The software supports AIFF, WAV, MP3, and AAC audio files.
The History function in ITCH keeps a comprehensive record of every track played and exports sessions from your history to ‘txt’, ‘csv’, or ‘m3u’. ITCH also has a Loop Roll function that provides a looping effect where the playhead jumps back to normal time when you release the loop. Built-in key support ensures that ITCH reads key tags from MP3 files and displays them in the ‘key’ column in your library.
Serato Scratch Live Driver
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iTunes is a trademark of Apple Inc., registered in the U.S. and other countries.
Computer not included.
Serato Scratch Live 2.4
an integrated solution
As mentioned in our previous post, DJs wanted Serato Scratch Live and software controls built into a Rane mixer. Rane introduced the TTM57SL for Serato Scratch Live in 2006. It was the first 2-channel turntablist mixer with integrated USB sound-card and software controls. The bullet list of special features reads like a combination of everything we had learned in previous..digital mixing
Our collaboration with Serato Audio Research began in 2004 with the introduction of the Rane SL1 for Serato Scratch Live. In 2002, Serato Audio Research had introduced Serato Scratch, Studio Edition. It was a plug-in for Digidesign’s Pro Tools that allowed “scratching” any digital sample or sound file using a regular turntable or mouse as the controller. This incarnation had..